Reborn as a Vending Machine, Now I Wander the Dungeon. Volume 1

You read that title correctly. This is a reincarnation isekai about someone reincarnated as a literal vending machine. And get this - the author sticks to this premise. 

The protagonist is a vending machine, and he can only do what vending machines do. That is, dispense products in exchange for money. There is one exception, an ability called "Force Field" that he uses in self-defense, but that is it.  The protagonist, who is named "Boxxo" in his new life, is a literal machine. He cannot move on his own, cannot speak except in a handful of stock phrases such as "Welcome" and "Insert Coins", and can't take any action other than dispensing and restocking products. To my surprise, the author does a lot with this premise. 

First, he acknowledges just how ridiculous this premise is. Boxxo reflects on the strangeness of his situation, and that becomes fuel for jokes on a couple of occasions. One such occasion is when he considers whether his new life is a divine reward or punishment. He was a vending machine fanatic in his previous life, and even died trying to prevent vending machine from crashing (it crushed him), so is becoming a vending machine a good thing or a bad thing? Another occasion is during the obligatory hot springs episode, and he remarks that such a situation doesn't do anything for him, because he is a vending machine, and physically can't get aroused. 

But the author also shows that this story can be serious. 

You see, Boxxo is a living creature, and thus requires sustenance like any other living creature. In his case, his food consists of coins. He "eats" the money people put into him. So, over time, the quantity of silver coins in his new hometown decreases. No one is emptying him of coins, after all. So, there is a whole chapter devoted to this currency shortage that he unwittingly created. 

Another serious scenario is when he is recruited to join a raid on a monster lair. No, he doesn't do any fighting. He is a vending machine. He can't even dispense his products by firing them like projectiles. He contributes by providing tasty food, fresh water, first aid supplies, etc. Everything he does is logistics support. He ends up providing a key non-combat assist in the boss fight, as well as guarding the wounded. This, then, signals to hunters that he is a very valuable asset in their line of business, and potentially worth stealing. 

This story is mostly an episodic slice-of-life sort of story. There is a legitimate progression of events. Time passes, and one event leads to another, but it is a loose sort of thing. 

There is only one thing that I dislike about this story. There is chapter that focuses on Boxxo providing "adult items" for a woman who runs "a business of the night". That, by itself, is not what I dislike. It adds another dimension to the town the story takes place in and to the narrative. It is a serious scene, not given to immature jokes, and it deals with the aftermath of a major story event. It fits with the premise of a living and magical vending machine. What I dislike is what comes after this. 

Certain events that follow this are suspiciously similar to the harem antics that take place in other isekai stories. These are not funny. They take time away from the idea of a sapient vending machine's life. In terms of silliness, they are a bridge too far. There is also a point of contradiction. 

 Because of this woman, Shirley, Boxxo flip-flops between "I cannot be aroused because I am a machine" and "my circuits are overheating". To the author's credit, he does lampshade this. Evidently, Boxxo cannot be aroused because he is a machine, but because he remembers being a human man, he can intellectually appreciate how sexy Shirley is, and thus he "thinks" aroused instead of "feel" aroused. In either case, the whole thing feels pointless. 

Trickster Eric Novels gives "Reborn as a Vending Machine, Now I Wander the Dungeon. Volume 1" a B+

Click here for my next book review:  The Wee Free Men

Click here for my previous book review:  The Demon Prince of Momochi House - volume 1

Brian Wilkerson is a independent novelist, freelance book reviewer, and writing advice blogger. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

His fantasy series, Journey to Chaos, is currently available on Amazon as an ebook or paperback.

The Demon Prince of Momochi House - volume 1

I found this at my local library. When I see volume 1 of an interesting series at the library, I check it out so I can get the intro info and feel better about jumping around volumes later. You never know what you're going to find at the library. 

In this story, Himari Momochi travels to a remote mansion in the mountains because she received a letter stating that she has become its owner. She is an orphan, never knowing her parents, and so this mansion is a chance to connect with her family. What she finds are three guys squatting in it, one of whom is Aoi. The situation quickly becomes more complicated and then, disappointingly, much less so. 

You see, the story has an interesting start and then drops off into sentimental nothing. In the first chapter, Himari has a distinctive personality and character. She wants to learn about her family history and is motivated to stay at Momochi House because she sees it as part of her family's legacy, and she wants to maintain the house for that reason. Even when she learns that this legacy involves mediating between the human and spirit worlds, she is undaunted. She avoids such stereotypes such as being afraid of ghosts, and is not (initially) charmed by the boys she meets even though she admits that they are gorgeous. In fact, when literal ghosts show up, she holds a flashlight under her face and shouts "no squatting!" at them. 

There is even this suggestion that the letter Himari received was a trap meant to lure her, the true heir, to the house for a nefarious purpose, and also that Aoi meet/knew of Himari before they meet in this chapter. However, this all drops off rather quickly. 

By the third chapter, Himari is totally focused on Aoi. Who he is, what he is, how being Momochi House's guardian burdens him, how much she wants to help him, etc. She doesn't seem as interested in her family's legacy anymore and isn't as assertive as she was in the first and second chapters. The myth arc doesn't progress at all. Even the point at the end isn't new information; the reader was already told that in ch 1, although the point wasn't emphasized like it is at the end of ch 3.

The only saving grace here is the implication that Aoi has a hidden agenda. In ch 1, he says that he happened to stumble into Momochi House as a child, and the House chosen him as its guardian for want of the true heir, Himari. It was just bad luck for him to take the role that was meant for Himari. Certain things he says and does imply that this is not the case. 

He switches rather quickly from trying to convince Hmari to leave to bonding with her, and the third chapter makes a point of emphasizing how much Himari is thinking about Aoi. She herself reflects that she "can't stop" thinking about him.  The ayakashi (basically, evil spirits) of Momochi House seek to possess her because her blood as the true heir will make them more powerful. Finally, the very first page has a bystander warn Himari that the Omamori-sama (Aoi) will curse her if she goes to Momochi House.  Thus, this otherwise disappointing third chapter might not be a shojou cliche sinkhole but an implication of Himari being literally-magically charmed by Aoi. 

The art is good. Definitely. It leans towards the cute/pretty side of things. The ayakashi can be spooky too, sinister instead of elegant. However, the "action scenes", such as they are, leave much to be desired. If one is going to devote a significant portion of a book's premise to something like "I am the guardian of the border with the spirit world, and I must seal evil spirits", then more space should be allocated to this duty. 

Trickter Eric Novels gives "The Demon Prince of Momochi House - volume 1" a C+

Click here for my next book review:  Reborn as a Vending Machine, Now I Wander the Dungeon. Volume 1

Click here for my previous book review:   Generation Witch - volume 1

Brian Wilkerson is a independent novelist, freelance book reviewer, and writing advice blogger. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

His fantasy series, Journey to Chaos, is currently available on Amazon as an ebook or paperback.

Generation Witch - volume 1

This is something I found while browsing my local library. You can find a lot of good stuff by browsing your local library. 

This book here is a slice-of-life fantasy about witches in modern life. In this setting, witches live openly in human society. To be a witch is just like having a natual talent for something; if you are born with it, then you can do it. Your parents might brag about you, and your peers might tease you, but that's it. No need to hide.

Does anyone reading this remember the time when it was a given that magical societies were hidden? Especially in modern day settings, it was expected for magical folk and creatures etc. to hide from the non-magicals. I wrote a blog post about that. Anyway, back to the review. 

This volumes contains four short stories featuring the lives of four different witches. They are unrelated, though the first three cameo in the story for the fourth. 

You know, it kind of reminds of Issac Asimov's "I, Robot". That's a strange comparison, isn't it? But let me explain. Issac Asimov wrote short stories to examine different aspects of The Three Laws of Robotics, different situations to show how they would work in detail. It's kind of like that here. What we have are four snap-shots of this magical modern society. 

In the first one, we glimpse something of a "normal" situation, a witch-in-training and her relationship with her younger sister. We take the perspective of the younger sister, who wants to have a study date without interruptions. The elder sister wants to help! Well, that particular witch is not quite "normal", but I imagine is close. The story is cute. 

In the second one, we see two witches. Thus, we have two perspectives. One is a girl who is basically shunned for embracing the image of a witch (in a "ignore that weirdo" sense instead of a "burn the unclean!" sense), and the other is a boy who doesn't like the fact that he has magical powers. Yes, males with magical powers are still called "witches" in this verse (Not "Witcher", ^_~), but it is more rare for this to happen. He has image problems himself. So, two witches with image problems work together on a small-scale quest using their magical abilities.  

This one has a lot of feels. It has more emotional heft than the first one because it has a weightier storyline.  There is more struggle. The first witch was an apprentice to the Great High Witch, and these two appear to be self-taught and raw ability.  So making the magic happen is part of the challenge. 

In the third one, well, I don't want to say much about the third one. It is an unfolding situation that shifts the reader's understanding. It is an experience. Saying much of anything can ruin that initial experience. It is a bittersweet experience. 

In the fourth one, we see a cultural celebration and a period of mourning. It is a most somber story. Having a girlfriend who can predict the future can lead to painful misunderstandings. All I can say about that one is that I am thankful for the epilogue joke to lighten the mood. 

I would appreciate more lore in the stories. Like the history of witch society, how magic is performed, how it is inherited through bloodlines, that sort of thing. It interests me. However, I understand why it is not included. This is a story about the lives of witches. It is not about their magic. The focus of the story is where it should be. 

The art is good. It is cute during light moments and it can also be stark in heavy moments. 

Trickster Eric Novels gives "Generation Witch - volume 1" an A+

Click here for my next book review: The Demon Prince of Momochi House - volume 1

Click here for my previous book review:   The Isolator - Realization of Absolute Solitude. manga volume 1

Brian Wilkerson is a independent novelist, freelance book reviewer, and writing advice blogger. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

His fantasy series, Journey to Chaos, is currently available on Amazon as an ebook or paperback.

The Isolator - Realization of Absolute Solitude. manga volume 1 (read for fun)

This is a book that I found at my local library. You can find a lot of good stuff by browsing your local library. This is the manga adaptation of the first light novel. 

In this story, a Mass-Super-Empowering Event took place in the modern world a couple years prior to the start of the story proper. One of those empowered is our protagonist, Minoru Utsugi. He developed a personal force field that protects him from harm and dulls external sounds, metaphorically isolating him from the world, in accordance with his wish to be separate from the world. Minoru is aware of this power, to some extent, from the story's beginning. 

In his view, his wish was misunderstood. Instead of Barrier Warrior type abilities, it sounds like what he wants is the ability to fade out of the world entirely and live in a void. Why the desire for isolation? That is slowly revealed. It has good build up. Though, I'd say the manga adaptation fumbles the revelation a bit. 

See, we are introduced to Minoru when he is jogging as a ritual of forgetting. He's trying to suppress some terrible memory. A bit later on, it seems as though this terrible memory is a teacher speaking badly of his lunch and Minoru shouting at them. It is clear that the nerve touched actually relates to his sister, who made the lunch, and thus this memory leads to the true terrible memory, but the presentation is still kind of narmy. Even when the truth comes out, it is so abrupt and laconic, that the emotional weight isn't present. This singular event that has shaped Minoru's life and personality isn't explored. I don't know if this is true in the light novel as well, but here in the manga version, it falls flat for me. 

What DOESN'T fall flat is the plot thread involving Minowa's pursuit of Minoru. The boy seeking absolute solitude has a girl trying to get closer to him. She is introduced early on, during the jogging scene that also introduces Minoru. No, she doesn't run into him; no Crash-Into-Hello / Meet Cute here. She actually has trouble catching up to him which, incidentally, ties into the narrative development of Minoru's superpower. Her character develops alongside his, and so we learn a good bit about her. 

We get her history, her hobby (track team star), and why she is pursuing Minoru. We even learn a detail like she recently cut her hair short because of the high school track team's rule. Her Moe rating is high. So when the villain of the arc targets her, reader concern for her is also high. 

Now about that - when a love interest is threatened by a villain, it can feel artificial. You know, like it is an excuse to get the hero and villain into conflict. Not so here. The villain and love interest are developed independently, and so the reader can see why The Biter is after Minowa in particular. It makes perfect sense why their paths would cross, and thus why Minoru is pulled in as well. It is not a case of "my love interest is in danger!" No. It follows the development Minoru has so far. 

He wants to avoid bad memories, so he wants to avoid regrets. He wants to avoid the emotional pain caused by regrets and bad memories. That's why he thinks his force field is useless - it does nothing for his emotional pain. So when he has even an inclination that Minowa could be in trouble, he investigates so he doesn't regret not taking action later. This natural development, the culmination of the actions taken by all three characters up to this point, is what leads to the climax. THAT is a satisfying payoff. 

The art is great. Minow is cute. Minoru always looks like he needs a hug. The villain is menacing. All that good stuff. 

Trickster Eric Novels gives "The Isolator - Realization of Absolute Solitude. manga volume 1" a B+

Click here for my next book review:  Generation Witch - volume 1

Click here for my previous book review:  A Magical Medieval Society - Western Europe - Second Edition

Brian Wilkerson is a independent novelist, freelance book reviewer, and writing advice blogger. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

His fantasy series, Journey to Chaos, is currently available on Amazon as an ebook or paperback.

A Magical Medieval Society - Western Europe - Second Edition

As a novelist of the fantasy genre, as well as a Dungeons and Dragons dungeon master, I often want to create a medieval European fantasy world. I seek to delve into its details and bring it to life. Not just as a backdrop for an adventure, but to create a fully realized simulation of reality. This book helps me do that, both in a novel and in a campaign setting for a tabletop roleplaying game.

This book lays out how to generate manors, medieval towns, and keeps. It provides rules for creating settings at the scale of kingdoms, villages, and everything in between; both generalized methods and more detailed methods. With a little bit of time and math, a novelist or game master can work out how many people are in a given area, how many of them are spellcasters, how much food they raise, how much land is under cultivation, etc. That is useful, but this book is more than just a collection of generators.

It lays out, in general terms, how the medieval system commonly known as "feudalism" works, both historically and how things like D&D-style magic fit into such a system. It gives a brief description of concepts like vassalage, land=power, the medieval idea of "justice", and how non-modern systems of commodity exchange function. Again, this is in general terms. The author mentions that there are many variations of these customs and things changed over time, because the concept of "Medieval Europe" encompasses over a dozen nations over a thousand or so year period (the medieval idea of "nationhood" is also touched on).

When the author says this is a book for creating a medieval society that is not restricted to real life medieval history, that is a true statement. At no point does real life history influence a section, nor does a real life country stand as a substitute. What is present here are common structures, practices, customs etc. that can create the flavor of a generalized medieval European culture without adapting any particular country's history. The author even mentions which parts of medieval society would be influenced by modern ideas, such as gender equality, and advises the novelist/GM in question to consider the implications of such for their fictional country's history.

The book also has sections for building organizations. Guilds, manor staff and armies are laid out in detail. There are tables for generating them, such as how much to pay for a particular kind of soldier, and how much food a given soldier of a given race needs to consume. There are explanations of how guilds function, and certain rules used by historical guilds to govern themselves. From the baker's guild to the royal court, this book provides novelists and game masters a template to work from, thus reducing their research and prep time. 

Finally, spread throughout the chapters, are considerations about how magic as presented in D&D would influence a medieval world. For the most part, not much. Magic can be one more resource a lord can tax to add to their wealth or prepare for war. Wizards can be one more trade guild among many. Clerics possessing divine magic isn't going to stop them from getting into theological disputes with each other, nor from insisting to non-clerics that their god is the only one deserving of worship.  Admittedly, that is kind-of depressing. 

However, this is only for a low-magic setting. The author assumes a low magic setting, where even low-level spell casters are few in number, and the secrets of both Arcane magic and Divine magic are closely guarded and regulated secrets. The author admits this is to keep the scale of the societal alterations manageable. 

In the book, the author states that a moderate or high-level magic setting would cause so many changes to the medieval European world that the scale of it becomes mind-boggling. Thus, it would be difficult to state in brief. Indeed, many of the considerations of the influence D&D style magic has on historical medieval Europe are short. They are limited to small scale instances like, "most building teams probably have at least one person who knows the Feather-Fall spell", or something like "any king who can manage it likely has an abjuration wizard in his bodyguard". 

This is understandable. A full consideration of the effects of D&D style magic on a historical medieval Europe would be very long, like one volume per aspect of the society. Then there's the possibility that the GM/novelist using this book doesn't use D&D-style magic, which would then limit the book's usability. So, the author's desire to be small scale and general in the interest of staying concise is totally understandable. 

Trickster Eric Novels gives an A+

Click here for my next book review:  The Isolator - Realization of Absolute Solitude. manga volume 1

Click here for my previous book review:  So I'm a Spider So What - light novel volume 5

Brian Wilkerson is a independent novelist, freelance book reviewer, and writing advice blogger. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

His fantasy series, Journey to Chaos, is currently available on Amazon as an ebook or paperback.